A traditional-only theatre class for teams presenting folk drama, customs and story-telling in their original form, scored out of 10 across seven age divisions.
Theatre - Authentic is the traditional-only theatre class in the folklore split. A team presents a piece of folk theatre as it has been handed down: a village custom, a seasonal play, a story told through acting, song and movement, with the costume, speech and staging belonging to the tradition rather than to a modern director.
On the template it is a team item offered in seven divisions: Mini Kids (4 to 6), Kids (7 to 9), Children (10 to 13), Junior (14 to 17), Adults, Senior (50 and over) and a Mixed Age division. It is open to both genders, Polish is the language setting, each team receives one score out of 10 as Marks, and results are ranked inside each division.
A round runs one team at a time. The panel watches whether the piece feels like living tradition: is the story or custom recognisable, do the players speak, sing and move in the manner of the source, and does the whole team work together as one ensemble? Modern scripts, borrowed staging or an added soundtrack belong in the processed or styled classes instead.
Organisers offer an authentic theatre class to keep traditional drama and customs visible on the programme, and to give families, schools and community groups who have learned a piece from elders a place where that knowledge is valued.
Where Theatre - Authentic is run
On eTalenter this item is used in one template, an international folklore dance and music festival template based in Krakow, Poland, where each discipline is offered in authentic, processed and styled forms. Folk theatre and custom plays are staged at community festivals in many countries, but the dividing line between traditional and adapted work differs from event to event, so the organiser's own notice decides what counts as authentic.
- Poland (the festival the template is built from)
Key facts
- Team item on the template: one team is scored at a time
- Seven divisions from Mini Kids (4-6) to Senior (50+), plus a Mixed Age division
- Open to both genders, scored out of 10 as Marks
- Language setting on the template is Polish
- No time limit is set on the template, so the organiser's notice decides how long a piece may run
- The strictest of the three theatre classes, beside Theatre - Processed and Theatre - Styled
On eTalenter, Theatre - Authentic is filed under On Stage and typically scored with Marks. It appears in 1 ready-made event templates — each one can adjust its time limit, age-group assignment and scoring setup independently.
Across the templates that use it, Theatre - Authentic is most often entered as an Team competition, typically scored out of 10.
How it is scored
The scoring method the templates attach to this item, and what that scale means.
- Best score is
- the highest
- Decimal places
- 2
- Used for
- Arts
Where it sits
The category this competition is filed under when a template is installed.
Others in this category: Dance, Music, Drama, Mimicry, Debate, Elocution, Story Telling, Group Song, Action Song
Judging criteria installed for it
eTalenter matches an item to its criteria on the words in its name, and creates exactly these when the template is installed.
- Artistic Integration
- Audience Engagement
- Audience Immersion
- Audience Interaction
- Character Interaction
- Collaborative Creativity
- Creative Use of Space
- Cross-Cultural Influences
- Cultural Context
- Emotional Resonance
- Environmental Integration
- Experimental Techniques
- Immersive Experience
- Innovative Performance Spaces
- Innovative Use of Light
- Innovative Use of Props
- Integration of Elements
- Integration of Tradition and Modernity
- Interactive Engagement
- Interactive Narratives
- Minimalist Approach
- Narrative Ambiguity
- Physicality and Movement
- Sensory Experience
- Sound Design
- Spatial Awareness
- Symbolic Use of Color
- Temporal Manipulation
- Unconventional Formats
- Visual Symbolism
What judges look at in Theatre - Authentic
What a Theatre - Authentic panel is actually weighing up, and where the marks are usually won or lost:
- Fidelity to the tradition: a story, custom or play that matches its folk source
- Ensemble work: the team enters, speaks and moves together, with clear roles for each player
- Speech, song and movement in the idiom of the tradition rather than a modern acting style
- Costume and props that belong to the tradition and are used with purpose
- Clarity of the story, so an audience unfamiliar with the custom can still follow it
- With one score out of 10 and no printed sub-criteria, the panel's overall impression decides the result
Treat these as the judging focus, not a fixed rubric: publish your own weighted criteria for Theatre - Authentic under Scoring Setup, or start from our judging and score tabulation guide.
How to prepare for Theatre - Authentic
How entrants and their teachers usually get Theatre - Authentic right on the day:
- Read the organiser's notice to see what counts as authentic, and whether a time limit, props or live music apply
- Choose a piece you can trace to a place or a tradition, and be ready to say who taught it to the team
- Talk to older relatives or community members and note how the piece was spoken, sung and staged before you rehearse
- Give every player a clear part and rehearse entrances and exits until the team moves as one
- Practise the speech and songs slowly first, then at the natural pace of the tradition
- Prepare costume and props early and check that nothing in them is modern or out of place
- Choose the correct age division, since each is ranked separately, and keep the piece to what the team can perform without stopping
- After a loss, ask whether story choice, teamwork or faithfulness to the tradition held the entry back and work on that one thing
- Ideas, not rules: a seasonal harvest or winter custom play, a short village wedding or courtship scene, or a folk tale told with song and simple props
Events that run this (1)
Ready-made templates that already include this competition. Installing one sets it up for you.
Every event that runs Drama (146)
This competition is run in different forms by different organisers. These are the most popular ready-made templates that include any of them (showing 30 of 146).
Kerala School KalolsavamKalotsavam · School KalotsavamRuns: Mimicry, Mono Act, Skit
Malappuram Sahodaya KalotsavKalotsavam · School KalotsavamRuns: Mime, Mimicry, Mono Act, One Act Play
Kerala Kalolsavam – All SectionsKalotsavam · School KalotsavamRuns: Mimicry, Mono Act, Skit
Arabic Sahityotsavam (Kerala Schools)Kalotsavam · School KalotsavamRuns: Mono Act
MGOCSM Kendra KalamelaKalotsavam · Sunday School & ChurchRuns: Mono Act
- CSI Youth KalamelaKalotsavam · Sunday School & ChurchRuns: Mime, Mimicry, Mono Act, Tableau
BKS GCC KalotsavamKalotsavam · Malayalee AssociationRuns: Mimicry, Mono Act, Tableau, Mime (Team)
Yuvakalasahithy UAE KalotsavamKalotsavam · Malayalee AssociationRuns: Drama (general), Mono Act
NERMA Kalolsavam (Edmonton)Kalotsavam · Malayalee AssociationRuns: Mime, Mono Act
KELI International Kalamela (Switzerland)Kalotsavam · Malayalee AssociationRuns: Mono Act
COG Teen Talent (International)Talent Test · Church YouthRuns: Monologue, Christian Comedic Performance, Large Group Human Video, Large Group Mime, Large Group Pantomime/Interpretive Movement, Large Group Skit, Large Group Spoken Word, Small Group Human Video, Small Group Mime, Small Group Pantomime/Interpretive Movement, Small Group Skit, Small Group Spoken Word, Solo Human Video, Solo Pantomime/Interpretive Movement, Solo Spoken Word
NTCOG Jamaica Talent ShowcaseTalent Test · Church YouthRuns: Monologue, Group Mime, Christian Comedic Performance, Large Group Human Video, Large Group Mime, Large Group Pantomime/Interpretive Movement, Large Group Skit, Large Group Spoken Word, Small Group Human Video, Small Group Mime, Small Group Pantomime/Interpretive Movement, Small Group Skit, Small Group Spoken Word, Solo Human Video, Solo Pantomime/Interpretive Movement, Solo Spoken Word, Group Human Video, Group Pantomime/Interpretive Movement, Group Spoken Word, Monologue (Youth), Solo Human Video (Youth), Solo Mime (Youth), Solo Pantomime/Interpretive Movement (Youth), Solo Spoken Word (Youth)
AG National Fine Arts FestivalTalent Test · Church YouthRuns: Stand-up Comedy, Spoken Word, Drama Solo, Drama Ensemble, Large, Drama Ensemble, Small, Dramatized Quoting, Ensemble, Dramatized Quoting, Solo, Human Video Ensemble, Large, Human Video Ensemble, Large, Jr., Human Video Ensemble, Small, Human Video Solo, Jr., Human Video Solo, Sr., Musical Theater, Ensemble, Large, Musical Theater, Ensemble, Small, Musical Theater, Solo, Jr., Musical Theater, Solo, Sr., Readers Theater
Kerala University Youth FestivalYouth Festival · UniversityRuns: Mime, Mimicry, Mono Act, Skit
University of Mumbai Youth FestivalYouth Festival · UniversityRuns: Mime, Mimicry, One Act Play, Skit, Mono Acting (Any Other Language)
Gujarat University Zonal Youth FestivalYouth Festival · UniversityRuns: Mime, Mimicry, One Act Play
Panjab University Zonal Youth Festival (Punjab, India)Youth Festival · UniversityRuns: Mime, Mimicry, One Act Play, Skit
PTU Zonal Youth FestivalYouth Festival · UniversityRuns: Mime, Mimicry, One Act Play, Skit
GNDU Zonal Youth FestivalYouth Festival · UniversityRuns: Mime, Mimicry, One Act Play, Skit
Yuvajallosh (Diocese of Vasai)Youth Festival · Church & CommunityRuns: Street Play
EMA Youth Festival (Exton)Youth Festival · Church & CommunityRuns: Mono Act
- School Arts FestivalStarter Templates · GeneralRuns: Mime, Mono Act, Skit
- Youth FestivalStarter Templates · GeneralRuns: Mime, Mimicry, Mono Act, One Act Play, Skit
Maharashtra State Drama Competition (Rajya Natya Spardha, India)Speech & Drama · AsiaRuns: Balnatya (Children's Drama), Natya (Drama), Sangeet Natya (Musical Drama), Sanskrit Natya (Sanskrit Drama)
Sri Lanka Speech & Drama FestivalSpeech & Drama · AsiaRuns: Mime Solo, Drama Solo, Devised Drama Solo, Musical Drama Solo, Shakespeare Acting Solo
Singapore Performing Arts FestivalSpeech & Drama · AsiaRuns: Dramatic Monologue, Group Acting (Devised), Group Acting (Scripted)
Kent Festival of Music, Speech & DramaSpeech & Drama · United KingdomRuns: Duologue, Monologue
Bedfordshire Festival - Dramatic Solos & ScenesSpeech & Drama · United KingdomRuns: Charles Dickens Duologue, Group, Pair, Solo
Cheltenham Festival - ActingSpeech & Drama · United KingdomRuns: Duologue, Solo Acting
Taunton Festival - ActingSpeech & Drama · United KingdomRuns: Solo Acting, Duo Acting, Duo, Solo
Frequently asked questions
Is Theatre - Authentic judged individually or as a team?
Across eTalenter's templates it's most often run as an Team entry, though an organiser can set either participation type when assigning the item to an age group.
What is the difference between Theatre - Authentic and Theatre - Processed?
Authentic keeps the piece traditional in text, staging and manner. Processed adapts the material for the stage while keeping it recognisable. The template does not print exact definitions, so the organiser's notice decides.
Is Theatre - Authentic judged individually or as a team?
On the template it is a team item, so the whole team receives one score out of 10 as Marks.
Can I use a modern script in the authentic class?
The template does not restrict scripts. Whether a modern or newly written text fits the authentic class is for the organiser's notice to say.
How is Theatre - Authentic scored?
Out of 10 as Marks, with no printed sub-criteria. The source describes award tiers from Diamond Grand Prix down to a Debut Diploma.
Similar competitions
Items whose names share a word with this one — usually the same discipline in another form.
Want the full judging picture? Read our judging and score tabulation guide, or browse every on stage competition item.
Try Theatre - Authentic in eTalenter
See every ready-made template that runs Theatre - Authentic, and install one as a live event — age groups, rules and scoring included.
