A single-routine title section in which the whole mark, 100 out of 100, goes to how entertaining the performance is, open to any style of dance and judged apart from the genre sections for a major prize.
A title section answers a different question from a genre section. In the genre sections of a studio dance competition a panel asks how well a Lyrical or Tap routine is danced against the style’s own technique. In the Entertainment Excellence Title the panel asks one thing only: how entertaining was it? There is no technique row, no choreography row and no costume row. The whole score, 100 marks, is a single judgement of entertainment, and the winner takes a major prize that is decided independently of every other section in the programme.
The edition this page is written from is a studio dance competition in New South Wales, Australia, whose syllabus prints two titles beside its sixteen genres: this one, judged 100 per cent on entertainment, and a sister title judged 100 per cent on technique. Each entrant dances one routine for the title, any style of dance is allowed, and a routine that has already been danced in another section may be repeated. A dancer does not have to prepare something new, but does have to choose, from the routines they own, the one that holds an audience.
The syllabus extract does not say which ages may enter or whether duo and trio routines are accepted, so the template installs the section as one all-ages group open to solo and team entries. It also prints no time limit and no placing points for the title, so a coordinator who runs it should settle three things in the programme notes before the draw: who may enter, how long the routine may be, and how a tie on the single score will be broken.
For an organiser the section is a useful closing event. It gives dancers from every genre and age a reason to bring their most crowd-pleasing routine, it gives the audience a clear highlight, and with only one criterion to mark it is quick to tabulate. For the dancer it is a reminder that technique and entertainment are different skills and that the best performer in the room is not always the cleanest technician.
Where Byze Entertainment Excellence Title is run
In eTalenter’s data this exact title is carried by one Australian solos, duos and trios dance competition, where it sits beside a technique-only sister title. Open title or showcase sections judged on audience appeal exist in many dance and variety programmes under other names, but they set their own entry rules and marking, so this page describes the New South Wales edition only and does not claim use elsewhere.
- Australia
Key facts
- One criterion, one score: the whole 100 marks are for entertainment. There is no separate technique, choreography or costume mark.
- One routine per entrant, any style of dance, and a routine already danced in another section may be repeated.
- Judged independently of all other sections, for a major prize rather than for the usual genre placings.
- Installed as one all-ages group (from about 3 upwards) open to both solo and team entries, because the syllabus extract does not say which ages or group sizes may enter.
- No time limit, no placing points and no tie-break rule are printed for the title; the organiser should state all three.
- Idea starters, not rules: the routine the audience asked to see again, a story dance with one clear joke or surprise, a high-energy finish with a visible build, a strong entrance that sets the mood in the first five seconds.
On eTalenter, Byze Entertainment Excellence Title is filed under Dance and typically scored with Marks. It appears in 1 ready-made event templates — each one can adjust its time limit, age-group assignment and scoring setup independently.
Across the templates that use it, Byze Entertainment Excellence Title is most often entered as an Team competition, typically scored out of 100.
What judges look at in Byze Entertainment Excellence Title
What a Byze Entertainment Excellence Title panel is actually weighing up, and where the marks are usually won or lost:
- Audience connection, the heart of the mark: does the dancer look at the room, share the mood and make the people watching feel something? A technically strong routine performed to the back wall tends to score below a smaller routine that reaches the audience.
- Energy and commitment from the first count to the last: the panel sees at once when a dancer holds back, so every transition, arm and facial expression needs the same strength as the big moments.
- Variety and surprise: a routine that builds, changes pace, uses the stage and has one memorable moment keeps attention longer than one that repeats the same idea for the full length of the track.
- Character and storytelling: a clear mood, whether comic, dramatic, joyful or theatrical, gives the entertainment a shape. A dancer who is playing a role usually entertains more than one who is only performing steps.
- Musical choice and use: a track the audience can feel, cut cleanly, with accents the dancer visibly hits. A confusing edit or a quiet, slow track makes entertainment harder to deliver.
- Polish as a means, not an end: technique is not a mark in this section, but a fall, a lost costume piece or a visible mistake breaks the spell and costs entertainment value, so the routine should be one the dancer can deliver safely every time.
Treat these as the judging focus, not a fixed rubric: publish your own weighted criteria for Byze Entertainment Excellence Title under Scoring Setup, or start from the full group dance judging criteria guide.
How to prepare for Byze Entertainment Excellence Title
How entrants and their teachers usually get Byze Entertainment Excellence Title right on the day:
- Choose by audience reaction, not by trophy history. List the dancer’s routines and pick the one that has drawn the loudest response at studio shows, school assemblies or earlier competitions.
- Check the entry rules before choosing: which ages and group sizes may enter, how long the routine may be, and whether a routine from another section may be repeated. The syllabus extract prints no time limit, so ask the coordinator and cut the track to the agreed length.
- Plan six weeks. Weeks one and two: choose and re-cut the routine so the first ten seconds and the last ten are the strongest; weeks three and four: add performance work, such as eye lines, facial expression and a clear moment of surprise; week five: rehearse in costume on a floor of stage size; week six: three full run-throughs with an audience of friends or family.
- Rehearse with an audience, even a small one. Entertainment is the only criterion, so ask watchers where they smiled, where they looked away and which moment they would repeat, and rebuild the weak stretch.
- Practise the entrance and the finish separately. Walking on with purpose and holding the final pose for a full beat are the two moments an audience remembers, and both are easy to rush.
- Prepare for the order of the day. A title section is often run late in a programme, so warm up again before it, keep the costume ready and be ready to bring the same energy after a long day of other routines.
- After a result that falls short, ask for the adjudicator’s comments if the event gives them and note whether the feedback was about energy, connection or choice of routine. Those are the three areas to change before the next title section.
Frequently asked questions
Is Byze Entertainment Excellence Title judged individually or as a team?
Across eTalenter's templates it's most often run as an Team entry, though an organiser can set either participation type when assigning the item to an age group.
What is the Entertainment Excellence Title?
It is a title section in which the whole 100 marks are for entertainment. Each entrant performs one routine in any style, and the result is decided independently of the genre sections for a major prize.
Is the title judged on technique at all?
Not as a separate mark. The syllabus extract prints a single criterion, entertainment, worth 100 per cent. Its sister title in the same programme is the one judged 100 per cent on technique, and has its own page.
Can I dance a routine I have already entered in another section?
Yes. The syllabus extract allows a repeated routine for the title, one routine per entrant, so a dancer can bring a routine from a genre section if it is their most entertaining.
Can duos and trios enter, and which ages?
The extract does not say. The template installs the title as one all-ages group open to solo and team entries, so a coordinator running it should state in the programme notes who may enter.
How long can the routine be, and how are ties settled?
No time limit, placing points or tie-break rule are printed for the title in the syllabus extract this page uses. Those are matters for the organiser, so check the notes of the event you enter.
Want the full judging picture? Read the full group dance judging criteria guide, or browse every dance competition item.
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